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采访索尼电视公司高管：进一步了解8K战略_我的网站
A | He was considered the most handsome star of his era and she was said to be the most beautiful actress. No wonder the jodi of Dharmendra and Sharmila Tagore managed to pull in the crowds in droves with every release. They had an easy camaraderie going on screen and complemented each other to a T. Today, as we mark Dharmendra's first birth anniversary, there is even deeper poignancy in celebrating this golden pair, who also happened to share the same birthday, December 8. On this heartfelt occasion, Filmfare looks back at the most celebrated movies, where the golden couple starred together. In This Article Anupama (1966)Devar (1966) Mere Hamdam Mere Dost (1968)Satyakam (1969)Yakeen (1969)Chupke Chupke (1975)Ek Mahal Ho Sapno Ka (1975) Sunny (1984)Anupama (1966) Directed by Hrishikesh Mukherjee, the film is considered a classic of Indian cinema and marked an important milestone in the careers of both the director and the lead actress, Sharmila Tagore. The film revolves around Anupama (Sharmila Tagore), a shy and introverted young woman who faces emotional struggles due to her rejection by her father as her mother died during childbirth. The story takes a turn when Anupama meets a kind and understanding man, Ashok (Dharmendra). He brings her out of her shell, helping her realize her own worth. The music of Anupama was composed by Hemant Kumar, with lyrics written by Kaifi Azmi. The soundtrack features the timeless song Ya dil ki suno, sung by the director himself, as well as Kuch dil ne kaha, and Dheere dheere machal, both sung by Lata Mangeshkar. Devar (1966) It’s an emotional drama directed by Mohan Segal The movie stars Dharmendra, Sharmila Tagore, and Raaj Kumar in key roles. The film is based on the short novel Naa by the Bengali writer Tara Shankar Bandopadhyay. The film had the often repeated plot of childhood lovers separated later in life but at the time, its emotional story appealed to the audience, turning it into a hit. Dharmendra starred as a man who goes on a self-destructive spree and Sharmila Tagore played a woman who is hell bent to get justice for her murdered husband. The film had music by Roshan and lyrics by Anand Bakshi. It had some good sad tracks like Aaya hai mujhe phir yaad and Baharon ne mera chaman loot kar, both sung by Mukesh. Mere Hamdam Mere Dost (1968) Directed by Amar Kumar, the film starred Rehman, Mumtaz and Om Prakash besides Dharmendra and Sharmila Tagore. The film has all the hallmarks of being a melodramatic thriller, with lost and found moments and other twists aplenty. Dharmendra plays a poor but honest young man who is horrified (yes!) to know that his girlfriend was only pretending to be poor but is actually super rich. Sharmila Tagore spends the rest of the film trying to woo him over once again. Dark revelations kind of derail their relationship but things get alright in the end. The film had music by Laxmikant-Pyarelal and lyrics by Majrooh Sultanpuri. The musical love story had lovely songs like Chalkaye jaam, Hui shaam unka khayal aa gaya and Na ja kahin ab na ja, sung by Mohammed Rafi, as well as Chalo sajna jahan tak jahan chale and Allah ye ada, sung by Lata Mangeshkar. Satyakam (1969) Directed by Hrishikesh Mukherjee, it features Dharmendra in the titular role. The film is a poignant and powerful drama that explores themes of integrity, honesty, and the struggle to maintain one's ideals in a corrupt world. It’s based on a Bengali novel of the same name by Narayan Sanyal. It’s said to have one of the finest performances by Dharmendra, who plays a man who sticks for the truth, whatever the circumstances may be. Sharmila Tagore plays a woman who has been raped earlier in life and pines for a sedate life. She has problems with her husband, who is aware of the truth. They somehow fail to lead a contented life, because of his too honest nature and also because of the secret they share. Sanjeev Kumar plays the role of a wordly wise friend who tries to make the protagonist see reason, while Ashok Kumar plays the family elder who finally learns the importance of forgiveness towards the end. Yakeen (1969) Much before Don and even The Bourne Identity, came this thriller, directed by Brij Sadanah, about a man posing as his doppelganger. Dharmendra acted as both Rajesh, an innocent man on the run and Garson, the gangster who poses as him. Sharmila Tagore plays Rita, Rakjesh’s love interest, who is pregnant with his child. While the plot is all over the place, the negative role played by Dharmendra, with blue contact lenses and changed voice offered something new to the audience. It’s the most villainous role played by the actor ever. Chupke Chupke (1975) Directed by Hrishikesh Mukherjee, the film is known for its light-hearted plot, clever humor, and exceptional performances from its cast. A remake of the Bengali film Chhadmabeshi, it stars Dharmendra, Amitabh Bachchan, Sharmila Tagore, Jaya Bachchan, Om Prakash, Usha Kiran, David Abraham Cheulkar, Asrani and Keshto Mukherjee. Dharmendra plays a professor of Botany called Parimal, who with the help of his friends Sukumar (Amitabh Bachchan) and Prashant (Asrani), wife Sulekha (Sharmila Tagore) and uncle Haripad (David), plays a prank on his brother-in-law Raghav (Om Prakash). One hilarious situation follows the other as Parimal and company try to stretch the joke as long as possible. Both Dharmendra and Amitabh Bachchan had established themselves as action stars in the ’70s and Chupke Chupke showed that they possess great comic timing as well. Dharmendra and Sharmila gave off newly married couple vibes without resorting to any cheap tactics. It’s a family entertainer which can be enjoyed on a loop even now. Ek Mahal Ho Sapno Ka (1975) This is a rather forgettable formulaic film, directed by Devendra Goel, revolving around mistaken medical reports. Vishal (Dharmendra) and Aruna (Sharmila Tagore) are in love. Aruna gets to know that she might lose her eyesight in six months and breaks off the relationship, without telling Vishal the reason. Sonia (Leena Chandavarkar), falls for Vishal. Later Aruna gets to know she was misdiagnosed but still doesn’t tell Vishal the truth, thinking he’ll be happy with Sonia. Much twists and turns later, ultimately Sonia sacrifices her love to bring together the estranged lovers. The film has hummable songs such as Dekha hai zindagi ko, sung by Kishore Kumar and Dil mein kisi ke pyar ka, sung by both Lata Mangeshkar and Kishore Kumar. It had music by Ravi and lyrics by Sahir Ludhianvi. Sunny (1984) Directed by Raj Khosla and starring Dharmendra, Sharmila Tagore, Waheeda Rehman, Sunny Deol and Amrita Singh, the film’s story revolves around themes of family, loyalty, and emotional conflict. Inderjeet (Dharmendra) is married to Gayatri (Waheeda Rehman) but is in love with Sitara (Sharmila Tagore). She bears his child, Sunny (Sunny Deol), who is brought up by Gayatri as her own son, after Inderjeet passes away. Sunny falls in love with Amrita (Amrita Singh), who happens to be Sitar’s niece. The film had some lovely music by RD Burman and lyrics by Anand Bakshi. It had memorable songs like Jaane kya baat hai, sung by Lata Mangeshkar and Aur kya ahd-e-wafa hote hain, sung by both Suresh Wadkar and Asha Bhosle. This was the last film done together by this golden couple. They were supposed to be cast together in Karan Johar’s Rocky Aur Rani Kii Prem Kahaani (2023) but Sharmila’s ill health at the time prevented that. Her role was ultimately essayed by Shabana Azmi. Also Read: Throwback: Dharmendra & Sharmila Tagore were to star in Gulzar’s Devdas。索尼Z9G绝对是CES 2019最受欢迎的产品之一，但在发布时，索尼的新首席执行官吉田一郎并未详细阐述新电视以及8K战略。会后，编辑艾霍采访了索尼视讯产品、索尼中国电视台总裁、索尼集团高级执行副总裁、索尼（中国）有限公司董事长兼总裁高井一郎、索尼集团高级副总裁谢彪，有许多问题。
B | S，进一步了解索尼。尼泊尔8K战略。8K电视的商业化最早可以追溯到2017年，但8K电视的元旦必须等到2019年。与其他电视制造商相比，索尼拥有庞大的产业链。索尼如何打造自己的8K生态链？高井一郎说，作为索尼所有事业的一个概念，有一个短语叫做“从镜头到客厅”。镜头”是指索尼的广播电视设备，进入高清时代以来，索尼已成为广播电视设备，其地位不受任何厂家的动摇，2017年索尼发布了首款8K广播UHC-8300。
C | UHC-8300使用三个1.25英寸的CMOS传感器，可以输出8K/120P的UHD视频，并可以在ITU-R BT.2020颜色空间中拍摄S-log3或HLG HDR视频。”“客厅”指消费品的电视。索尼有一个从生产端到广播端的生态系统。不幸的是，CES 2018没有显示8K广播公司的UHC-8300，但毫无疑问，索尼拥有8K内容的摄像设备、广播设备，而索尼电视不仅用于客厅，在影视后期制作中，越来越多的索尼高品质电视被用作显示器。在这个阶段，索尼8K生态链才刚刚起步，未来我们希望建立一个闭环系统。NHK电视台将在2020年东京奥运会上使用卫星信号进行8K直播。
D | 为了实现这一目标，NHK与索尼进行了大量合作，包括4K和8K内容广播。然而，它仍处于测试阶段，不能透露更多的信息。为实现2022年北京冬奥会8K直播，索尼去年10月与工信部签订了8K超高清电视转播车采购协议。索尼将于今年3月推出首款8K广播车。在2K到4K时代，索尼与全国电视台和工业界人士有着密切的联系和合作。
E | 目前，索尼正与各界探讨如何在未来共同推动8K普及，希望在中国8K普及过程中发挥重要作用。
F | 毫无疑问，8K代表着未来。现在怎么样？2017年和2018年，电视市场继续低迷。所有电视公司在2019年的CES上都出现了8K电视。越来越多的公司进入了OLED电视领域。
G | 海信“激光电视”进入大屏幕市场，取得了良好的效果。索尼将如何面对这些挑战？2018年，电视市场总量略有下降，仅为2.07%。
H | 然而，电视市场的平均价格急剧下降，达到15%。这导致电视市场总量下降11.4%。但在细分方面，一些领域仍在增长，包括65英寸，同比增长95%，75英寸或更高，同比增长177%，而这些高利润领域正是索尼擅长的领域——索尼在10000台单机市场的份额仍然是第一，而OELD市场的份额仍然是第一。
I | 2018财年第二季度，索尼家庭娱乐及音响业务营业利润达到245亿日元，比上一季度增长71亿日元，成为索尼集团前进的主要动力。
J | 在8K市场竞争中，索尼认为关键是质量和分辨率。新发布的8K液晶电视Z9G采用8K HDR图像处理芯片x1旗舰版，新开发的8K X-Reality Pro技术（8K快速图像处理引擎Pro）。
K | 结合8K图像信息数据，可以优化不同输入源的质量，甚至是2K、4K甚至网络视频。
L | 对于OLED电视市场，索尼不仅推出了新的A9G电视，还推出了更受欢迎的A8G电视。索尼也关注激光电视的发展趋势，但坚持自己的理念和技术发展路线。激光电视实际上是一种超短聚焦投影。索尼在2018年CES上发布的LSPX-A1是一款超短聚焦投影仪。采用三片式4K SXRD投影技术，亮度可达2500流明。凭借索尼独有的技术，它可以获得更好的4K HDR效果。但在明亮的客厅环境中，投影机画面无法达到索尼的画面质量标准。索尼并不是不能生产“激光电视”，而是认为技术已经发展到符合索尼的画面质量和音质标准，当价格能被普通消费者接受时，将成为索尼的选择。2019年，索尼仍将面临巨大挑战。索尼将继续提高其工作质量，让店面销售人员以图片质量向消费者展示索尼电视的优势，利用人工智能技术提高生产效率，探索OTT合作运营模式，通过软件内容提高消费者观看电视的娱乐体验。
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