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Photo: Courtesy of the Institute of Vertebrate Paleontology and Paleoanthropology
    Photo: Courtesy of the Institute of Vertebrate Paleontology and PaleoanthropologyArchaeologists have unearthed a collection of plant-wrapped bundles dating back about 2,200 years that closely resemble modern-day zongzi, the glutinous rice dumplings traditionally eaten during China's Dragon Boat Festival, according to a report by the Institute of Vertebrate Paleontology and Paleoanthropology (IVPP) under the Chinese Academy of Sciences (CAS). This study was published in the National Science Review.
In March 2024, archaeologists from the National Center for Archaeology excavated a large number of well-preserved, waterlogged plant bundles from the tomb's outer coffin chamber. On-site, the plant bundles could be seen tightly wrapped in broad leaves and tied with plant-fiber cords.
A team of researchers led by the National Center for Archaeology, IVPP, and the Chinese Academy of Social Sciences examined 12 of the bundles and found that the wrapping leaves came from oak trees, while the cords were made from grasses. 
The bundles mainly contained rice, broomcorn millet, foxtail millet, and cereal seeds, most of which were still in their husks and mixed with inflorescence material. Small amounts of peppercorn, mallow and rice-field weed seeds were also found.
The fact that the bundles were found in a tomb and mainly contained grains still in their husks suggests they were not everyday food, but offerings intended for funerary rituals. "This might reflect a Warring States-era belief that grains served as wealth for the dead in the underworld," Ge Yong, an associate researcher at the IVPP and the study's corresponding author, told the Global Times.
A Qin Dynasty (221BC-206BC) text describes a belief that "soybeans were gold and millet was money" for the dead, indicating that grains held symbolic significance in funerary culture. "The bundles therefore appear to have been ritual offerings prepared for the deceased," Ge said, "not food for the living."
The physical structure of the bundles also resembles that of zongzi, with grains wrapped in leaves and tightly secured with plant-fiber cords. "Similar practices of wrapping grains for burial have also been found elsewhere within the Chu cultural sphere," Ge said, "such as at the Chengyangcheng Site." 
At the Chengyangcheng archaeological site in Henan Province, rice and broomcorn millet were also discovered wrapped in oak leaves. "An interesting fact is that we can still find zongzi wrapped with the same oak leaves now in regions related to the Chu cultural sphere."
"The findings suggest that wrapping grains as funerary offerings was a relatively common practice in the Chu state during the Warring States period," Ge said. "And this practice may have been an early form of the zongzi later associated with the legend of Qu Yuan."
These plant bundles share a structure similar to that of modern zongzi and to those described in legends and folklore. This might reflect how, through cultural exchange and heritage, these 2,200-year-old plant bundles likely evolved over centuries, shifting from sacrificial offerings to food, said Ge.
As diverse regional populations adapted the practice, it eventually transformed into the well-known Dragon Boat Festival tradition of eating zongzi. Thus, this structural resemblance might suggest a potential historical lineage; however, experts stressed that the Wuwangdun bundles should not simply be labelled as ancient zongzi.
"We can't define these plant bundles as the earliest zongzi, but rather, we can confirm that by 2,200 years ago at the latest, the Chu region had established a tradition of using this specific form of plant bundles for funeral rites. And this tradition could be a possible origin or precursor of the well-known zongzi," said Ge. 
He added that the discovery provides critical physical evidence to explore the origins of zongzi and its cultural heritage.
。    Actor Rajashekar who recently returned to cinemas with Nithiin-starrer Extraordinary suffered leg injury while shooting for his upcoming film. The incident happened during shooting an action-related sequence in Medchal (Hyderabad) on November 25. The mishap resulted in multiple fractures to Rajashekar’s ankle.          Rajasekhar undergoes three-hours surgery     According to sources from the unit, Rajashekar suffered a right ankle bimalleolar dislocation with a compound fracture. This is considered a severe injury associated with high-impact trauma. After the incident happened, the actor was immediately taken for medical evaluation. Doctors recommended an urgent surgical intervention to prevent further complications. Rajasekhar subsequently underwent a major surgery lasting nearly three hours.A statement from Rajasekhar’s team read, “The surgical procedure involved right ankle open reduction and internal fixation (ORIF) with K-wires for the lateral malleolus. Open reduction and internal fixation using cannulated cancellous screws and a semi-tubular plate for the medial malleolus. Trans-fixation of the tibia using a wire passed through the calcaneum and talus.” Despite the complexity of the procedure and the intense pain Rajashekar endured it all. The surgery was successful, and the actor is currently recuperating.                    Doctors advised four weeks rest     Doctors have advised Rajashekar four weeks of rest emphasizing that the operated leg must remain immobile during the crucial healing phase. The actor will be back in action in the last week of January and resumes shooting for the film depending on his recovery progress. Apart from shooting for his upcoming film Biker, Rajashekar is also working on two yet-to-be-titled films. Fans and industry colleagues have been sending wishes for his speedy recovery. The actor had earlier suffered a similar left-leg injury while shooting for the 1989 action thriller, Magadu.In a career spanning more than four decades, Rajashekar is known for performing daredevil stunts and high-octane action sequences. He was known as the “Angry Young Man” of Tollywood for his intense and rebellious roles.Also Read: Ram Charan’s Peddi Vs Nani’s The Paradise! Can a Box Office Clash Be Avoided? Here’s The Truth。

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