
一 |

二 | Fourteen years ago, on 2 December 2011, The Dirty Picture arrived in theatres with an energy that felt bold and unexpected for its time. Films led by women were still uncommon and often followed a familiar formula. But Ekta Kapoor’s vision, paired with Vidya Balan and her fearless performance, shifted the way a heroine could be portrayed and truly celebrated in mainstream cinema. Vidya’s portrayal of Silk became a cultural moment on its own. She brought strength, vulnerability and a raw honesty that made the character unforgettable. The performance earned her the National Award for Best Actress, the Filmfare Best Actress trophy and several international honours, but more than the awards, Silk became a symbol of agency and ambition. The film also changed many conversations. It questioned how women are looked at on screen, explored desire and power from a woman’s point of view and spoke about themes that were rarely addressed in commercial cinema. Even with its unconventional lead, the film became a huge commercial success and proved that stories led by women could attract strong audiences and create impact. Over the years, the film’s influence has only grown. The Dirty Picture encouraged filmmakers to write more layered female characters, gave confidence to women driven stories and played a major part in shifting how female protagonists are treated in Hindi cinema. It also cemented Vidya Balan as one of the most powerful performers of this generation. The themes in the film still feel relevant today. Power, desire, loneliness and identity continue to reflect the experiences of many women in the entertainment world and beyond. And while the line “Entertainment, entertainment, entertainment” is still the most quoted, it is the emotion beneath Silk’s fearless exterior that gives the film its lasting weight. For Vidya Balan, the film marked a turning point. It expanded her range, changed the way audiences saw her and showed the command she brings to every role. Fourteen years later, The Dirty Picture stands not just as a blockbuster but as a landmark that continues to shape how women are portrayed on screen. Also Read: Illuminating Bollywood’s influence on major fashion trends。

三 | 中国已经向土耳其、俄罗斯、印尼、塞尔维亚出口了高铁技术,得到了海外国家的认可。

四 | 就当所有人都对中国的失利感觉失望和不解时,一条最新的消息传来:西班牙因为无法在33个月内如期交付项目而违约。保加利亚自食其果,却头铁到底宣布放弃高铁项目,真是项目泡汤了也不给中国,那么保加利亚又何必选择做出这种谁也捞不到好处的行为呢?

五 | 结果保加利亚却毅然决然选择报价更高的西班牙公司,让人感到十分费解。不仅如此,今年2月份,欧盟因为中方报价太低的问题,还启动了补贴调查,即欧盟方面怀疑四方机车给出超低价的真正原因,是中国政府背后给了大额补贴。

六 |

七 | 只能说西班牙公司真是早知今日又何必当初,既然没能力交付,又何必来竞争,最后把自己搞违约了。更绝的是,到了此时,保加利亚似乎还不打算给中国公司一点机会,直接宣布取消高铁项目。

八 | 这意味着,保加利亚方面前期投入招标中的人力、物力、财力也全都打了水漂,还没把高铁建成。

九 |

十 | 他们清楚自己根本无法履行合同,却几乎是“捣乱”一般的胡乱参与竞标,这背后的真正搅局者,非欧盟莫属。

十一 | 而欧洲一众高铁公司,将彻底没饭可吃。考虑到这么严重的后果,于是背地里,欧盟策动了这次狙击行动,目的就是宁愿搅黄保加利亚的高铁项目,也绝对不能给中国高铁可趁之机。

十二 | 当然,保加利亚肯定也是受到了来自欧盟方面的压力。但对于该国的经济损失和未来发展问题,肯定也不再欧盟的考虑之内。只能说保加利亚也是个欧盟决策“牺牲品”。

十三 | 总之高铁这回是建不成了,但保加利亚作为欧盟国家,或许还能凭借这件事,额外拿到一些欧盟的补贴,这样至少也是个安慰。

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十五 | 回顾整件事的后果,中方其实没有太大的损失。在高铁项目上,6.1亿根本算不上一个大订单,而且看一下保加利亚方面的需求,中方的利润空间必然非常小。

十六 | 这笔钱,对我们来说可赚可不赚,但保加利亚毕竟是建不成高铁了,西班牙公司也挫伤了商业信誉,他们才是真正的输家。
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Published on:17:21:23

