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"Camera Meri Mehbooba Hai", Said Dharmendra, Reveals Anil Sharma | Exclusive_我的网站

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A | The much-anticipated Suriya 47 has officially begun filming. The project was quietly launched over the weekend, with photos from the ceremony surfacing online through director Jithu Madhavan’s wife Shifina, who shared glimpses of the pooja on her Instagram story. The images offer a first look at the film’s growing ensemble, featuring Suriya, Nazriya Fahadh, Naslen, Jithu Madhavan and composer Sushin Shyam.A photo of the clapboard at the ceremony has sparked additional buzz, since it carried the name of cinematographer Unni Palode, who will be making his debut with this project. The film is produced by Zhagaram Studios, a banner widely speculated to be Suriya’s own new production house, although the makers have yet to release an official confirmation. A New Team and a Familiar Creative Rhythm Jithu Madhavan, who shot to prominence with the blockbuster Aavesham and first made waves with Romancham, steps into his third directorial outing with Suriya 47. Composer Sushin Shyam, known for his distinctive soundscapes in both of Jithu’s earlier films, returns once more, promising a musical identity that aligns with the filmmaker’s now signature tone. View this post on Instagram A post shared by Mashar Hamsa (@masharhamsa) The addition of Unni Palode has created curiosity within industry circles. Although this marks his first film as a primary cinematographer, Unni has worked closely with some of Malayalam cinema’s most celebrated visual artists. His experience as an associate to Shyju Khalid, Sameer Thahir and Gireesh Gangadharan has led many to expect a visually ambitious film that blends fresh artistry with a grounded, kinetic style.Reports suggest that several members of the team initially brought together for Jithu’s shelved project with Mohanlal have transitioned into Suriya 47 as well. However, the makers have not confirmed these speculations. Early reports also indicate that Suriya may be playing a police officer in this film, although his character details remain under wraps. A Project Years in the Making and a Reunion That Almost Was Interestingly, Suriya 47 marks a pairing that Tamil cinema has long been expecting. Suriya and Nazriya Fahadh were once set to headline Sudha Kongara’s Parasakthi, which at the time was planned as Suriya’s forty third film. The project also featured Dulquer Salmaan but was eventually shelved. Parasakthi later reemerged with a completely different cast, including Sivakarthikeyan, Ravi Mohan, Atharvaa and Sreeleela.Nazriya, who was last seen in Sookshmadarshini, is stepping back into a major acting role while continuing her involvement in production. She collaborated closely with Jithu Madhavan on Aavesham, which she produced with Fahadh Faasil under the Fahadh Faasil and Friends banner, in association with Anwar Rasheed Entertainments. Her presence in Suriya 47 adds further intrigue, bringing together a cast and crew with intersecting creative histories.Naslen, meanwhile, enters the project riding on the momentum of Lokah Chapter One Chandra. The young actor has become one of the most sought after performers of his generation, with Torpedo, Tiki Taka and Mollywood Times lined up for release. View this post on Instagram A post shared by All India Suriya Fans Club (@suriya_aisfc) For Suriya, the launch of his forty-seventh film comes at a busy moment in his career. He is awaiting the release of Karuppu, directed by RJ Balaji, with Trisha as his co-star. A release date is expected soon. The actor is also immersed in his forty sixth film with director Venky Atluri and Mamitha Baiju, which is yet to reveal its title.Suriya 47 now enters production with a blend of young energy, celebrated talent and a filmmaker who has quickly established an exciting voice in South Indian cinema. With an official announcement from the team still pending, curiosity around the project continues to grow.Also Read: Have Been a Fan of Ravi Teja’s Comic Timing: Suriya。 Filmmaker Anil Sharma's association with Dharmendra and the Deol family goes back a long way. He had directed the late actor in Hukumat (1987), which went on to be one of the biggest blockbusters of the filmmaker's career. Together, they delivered more hits such as Elaan-E-Jung (1989), Farishtay (1991) and Apne (2007). Filmfare caught up with Sharma, who opened his heart about this bond with Dharmendra.Excerpts: What kind of an impact did Dharamji have on your life and career? My entire career exists because of him. The first star I ever saw on the big screen was Dharmendra. When I became an assistant director, I worked with him on The Burning Train (1980). And the biggest blockbuster of my life, my first blockbuster Hukumat was also with him. We also did Elaan-E-Jung, Farishtay (1991) and Tahalka (1992), and all four were hits. I worked with his son Sunny Deol on Gadar: Ek Prem Katha (2001). I produced Policewala Gunda (1995) and directed Ab Tumhare Hawale Watan Saathiyo (2004) with Bobby Deol. My film Apne had all the three Deols in it. Then there were The Hero: Love Story of a Spy (2003) and Singh Saab The Great (2013). My whole life has been spent working with the Deols and most with Dharamji. I consider myself fortunate to have worked with this family and Dharmendra. He was a legend, an era by himself . People love him so much because he too loved them in equal measure. Go on... Dharmendra was a young man from Sahnewal... He would stand before the Frontier Mail train and say, 'Frontier, please take me to Bombay.' And truly, Dharmendra became the film industry. He would have 6–7 releases in a single year, and all of them were hits… Today, if an actor gives even three hits in a year, he’ll run around with a sword, ready to conquer the entire country. Dharmendra ji delivered massive blockbusters that no hero today has ever seen on that scale. It was not just action films that worked. He did films like Anupama, Chupke Chupke, Naya Zamana, Mera Gaon Mera Desh, Pratigya, Yaadon Ki Baarat, Hukumat. He had such a range! All these were hit films. And he was so handsome… It felt like God crafted him with his own hands, and then broke the mould forever. He was what you truly call, 'a Greek God'. Today we loosely call many heroes 'Greek God' but the real Greek God was Dharmendra. It is said that he never increased his fee even after delivering blockbusters...He had multiple hits releasing at the same time. When he watched Hukumat, he liked it a lot. His payment terms used to be that some money was given during production and the rest upon release. So, he told me, 'Anil, you've made such a wonderful film, I'm waving off my entire balance fee.' He would waive off his remaining payment if you made a good film. He had no attachment to money; his attachment was only to good cinema. How was your last meeting with him? It was a couple of months ago. He asked me about the films I was working on. He then said that he wants to do such a film that the world will watch in awe and asked me to find a role for him. He said, "Camera meri mehbooba hai, aur mujhe miss kar rahi hai..." (Camera is my beloved, and she is missing me) I'm missing her too and I have to go back to her. He actually had a film ready to release and in the last couple of years, he had done films, and he had such passion even at the age of 89. He would tell me, "Just watch, I’ll do such good work that the world will watch… you’ll see what I’ll do. You’ll see." It felt like he was the same little boy from Sahnewal. View this post on Instagram A post shared by Anil Sharma (@anilsharma_dir) How was Dharmendra as a person when the cameras stopped rolling? Dharamji never realised how big his stardom and influence was. We would tell him that you are such a big star and he would say, "I am nothing...I am just a farmer, a man of the soil." In fact, the entire Deol family is like that. They genuinely believe they are still new and have a lot more to achieve. Dharam ji once said that he worked only for the people and their love. He came to be a part of the film industry, and he didn’t just become a part of it, he became the film industry itself. Tell us about Sher, Dharmendra's shelved James Bond style spy thriller... Sher goes back to 1988. I wanted to make a James Bond–style film. Recently the poster suddenly resurfaced, and everyone was shocked seeing Dharmendra with such a fantastic, powerful physique. I was a big fan of Bond films, because what does a Bond film need? Personality, handsomeness, wit, romance in the eyes, action prowess, intelligence, and Dharam ji had every single one of those qualities. But somehow, the film couldn’t get made. Hukumat hadn’t released yet at that time and I had signed Sher during Hukumat itself. The producer ran into some issues. If the film had been made, it would have been something remarkable in Dharamji’s career. I still have the script with me. Even now, people tell me to make it with Sunny Deol. I haven’t thought about it yet, but yes, I’ll see, and maybe I will think about it again. What do you want people to remember most about Dharmendra and his legacy? He was a genuinely good human being who knew how to love. I used to ask him what defines a good actor and he always said that a good actor is first a good person. If today’s actors understand just this one thing, they’ll automatically become better actors. If you’re a good person, you can play a bad man, you can play a worthless man, you can play an average man. His goodness, and the way he showered love on people, these two qualities were truly special about him. And that is exactly how he will always be remembered. He is a legend and legends never die, they remain immortal. Also Read: Exclusive: When Esha Deol Called Dharmendra and Hema Malini Excellent Babysitters。