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Shenzhen's 'one-kilometer' supply chain draws global buyers for AI hardware_我的网站
A | (ECNS) -- Shenzhen's Huaqiangbei electronics market, known as "China's Hardware Silicon Valley," has received an average of nearly 8,000 foreign buyers a day so far this year, according to the Huaqiangbei Subdistrict Office. Its dense “one-kilometer” supply chain allows more than 100 types of components to be sourced within a day and prototypes to be produced within a week. As of July 2026, AI products accounted for 61% of electronics in the district, up from 41% in 2025. Sales across AI product categories rose more than 55% year on year in the first seven months. Sales of AI glasses doubled, while those of drones and robots grew by 60% to 70%. AI plush toys that can recognize users and remember past interactions have also gained popularity among children overseas. The core trading area is home to more than 115,000 business entities and offers around 1.1 million types of electronic components. At a printed circuit board manufacturer in Shenzhen’s Futian District, an in-house AI system has cut prototyping costs from 500 to 800 yuan ($74 to $118) to about 20 yuan ($3), while reducing delivery time from around a week to as little as 12 hours. (By Intern Yang Hongran, Zhang Dongfang) 
。 (ECNS) -- The retrospective of the Venezuelan artist Oswaldo Vigas opened at Guangdong Art Museum in Guangzhou on Saturday, featuring major artworks and archival documents spanning over seven decades of creation. Titled Reality is What I Imagine, the retrospective was jointly curated by Venezuelan curator Gabriela Rangel and Chinese curator Jiang Jun. It brings together Vegas’ representative pieces and related historical materials. Vegas was a Venezuelan painter, muralist and sculptor, widely recognized as one of the key figures in Latin-American modern art. He delved deep into Venezuela’s cultural heritage and engaged in local and international modern-art developments, blending European modernism with Latin America’s rich and diverse cultural legacies. Wang Shaoqiang, director of Guangdong Art Museum, noted that Vegas neither blindly followed the universal narratives of European modernism nor clung to nostalgic localist fantasies. Instead, he forged a creative stance known as “amphibious modernity” between the two traditions. Occupying two galleries in the new Guangdong Art Museum building, the show traces the stylistic evolution of Vegas across four chronological phases, offering a comprehensive overview of his lifelong artistic output. (By Xu Wenda, Zhang Dongfang) 。
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Published on:10:55:15
。 (ECNS) -- The retrospective of the Venezuelan artist Oswaldo Vigas opened at Guangdong Art Museum in Guangzhou on Saturday, featuring major artworks and archival documents spanning over seven decades of creation. Titled Reality is What I Imagine, the retrospective was jointly curated by Venezuelan curator Gabriela Rangel and Chinese curator Jiang Jun. It brings together Vegas’ representative pieces and related historical materials. Vegas was a Venezuelan painter, muralist and sculptor, widely recognized as one of the key figures in Latin-American modern art. He delved deep into Venezuela’s cultural heritage and engaged in local and international modern-art developments, blending European modernism with Latin America’s rich and diverse cultural legacies. Wang Shaoqiang, director of Guangdong Art Museum, noted that Vegas neither blindly followed the universal narratives of European modernism nor clung to nostalgic localist fantasies. Instead, he forged a creative stance known as “amphibious modernity” between the two traditions. Occupying two galleries in the new Guangdong Art Museum building, the show traces the stylistic evolution of Vegas across four chronological phases, offering a comprehensive overview of his lifelong artistic output. (By Xu Wenda, Zhang Dongfang)