我不是明星
1,500-year-old glazed pottery reveals Eurasian cultural exchanges in ancient northern China_我的网站
A | 2019年1月10日微信开放课程在广州开幕。微信之父张小龙出现在微信之夜，发表了四个小时的演讲。张小龙说，演讲是一项技术性的工作，他在实践中是业余的，但他希望与你面对面交流。张小龙在演讲中总结了威信的八年历程，向外界阐述了威信的产品理念，以及威信为何如此。
Systematic analysis conducted by the institute of pottery wares dating back to the Pingcheng period of the Northern Wei Dynasty (386-534) has identified distinct foreign cultural and technological elements embedded in the craftsmanship and material composition of the unique artifacts, shedding fresh light on ancient Eurasian cultural integration.
Established by the Tuoba Xianbei ethnic group, the Northern Wei Dynasty designated Pingcheng, present-day Datong city in Shanxi Province, as its capital from 398 to 494. For nearly a century, the city served as a pivotal multicultural hub where Xianbei nomadic culture, Central Plains Han culture and diverse Western Regions civilizations converged and interacted, according to a report on Chinanews.com.cn.
Archaeological excavations at multiple tomb clusters in Pingcheng, including the Dongxin Northern Wei cemetery and the Qilicun cemetery, have yielded a total of eight pieces of glass-inlaid glazed pottery. Though far fewer in number compared with common glazed pottery figurines and painted glazed wares, these artifacts feature an extremely rare inlay technique unseen elsewhere in the developmental history of Chinese ceramics, according to the press release.
Given the exceptional rarity and good preservation of the relics, researchers selected four representative pieces for comprehensive laboratory testing and material analysis. The results show that the glass inlays are primarily soda-alumina glass, most likely produced by remelting trade beads from the Indian Ocean and Pacific regions, a key commodity in ancient maritime and overland trade networks.
The findings confirm that Pingcheng maintained frequent cross-border trade and cultural communication during the Northern Wei era, with access to glass raw materials sourced from diverse overseas regions. The varied compositional characteristics of the inlaid glass provide crucial clues for studying ancient glass-making technologies, raw material circulation and long-distance trade routes in ancient East Asia, the press release noted.
Beyond material composition, the artifacts also embody prominent cross-cultural innovation in design. Their decorative motifs draw heavily on gem-encrusted gold and silver wares of the Sasanian Persian Empire, while integrating artistic elements from other Eurasian regions. The blended design styles reflect the era's prevailing trend of multicultural fusion and creative assimilation of foreign civilizations.
Archaeologists noted that the glass-inlaid glazed pottery represents an innovative technological achievement crafted by Northern Wei artisans who absorbed and refined foreign techniques and aesthetics. The distinctive craftsmanship and stylistic features of these wares exerted a far-reaching influence on ceramic production in surrounding regions and subsequent dynasties, marking a vital chapter in the evolution of ancient Chinese ceramic art.
The research underscores that ancient China's northern borderland was not an isolated cultural enclave, but an active node in Eurasian cultural and trade exchanges, where foreign elements were localized and innovated to form unique regional civilizational achievements, archaeologists from the Shanxi Provincial Institute of Archaeology said.
。谈到微信7.0的“丑陋界面”，张小龙说，“产品需要适应这个时代，不要说我们的用户抱怨，不要改变它。”此外，当张小龙谈到微信首页为什么没有广告时，他说如果把微信比作自己最好的朋友，那么在T上的广告就是他的头版就像是在他最好朋友的脸上贴广告。但你知道，不管文本版本有多好，它都不如图像强大。
B | 为此，政府发布了张小龙四小时微信公开课的全程视频。让我们看看。要观看视频，请单击此处。相关阅读：张小龙4小时微信开放式演讲全文2019。
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Published on:16:11:49