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今天的头条新闻、震颤和其他骚乱，腾讯棕榈联盟的社交河湖再次掀起高潮。_我的网站

A |     The 2026 Golden Globe Awards nominations arrived, where the finest in the entertainment industry receive awards. HBO’s The White Lotus is leading with six nominations. The luxe Thailand-set season secured multiple acting nominations and a best drama series nomination, continuing its run as one of TV’s most talked-about anthologies.Netflix’s Adolescence followed with five, while Only Murders in the Building and Severance each landed four nominations. This year’s nominations reflect the Globes’ ongoing evolution. Alongside the traditional categories, the HFPA has expanded its scope to include stand-up comedy specials and podcasts. This acknowledges the shift in audience habits.Meanwhile, the industry itself continues to navigate streaming contractions, cost-cutting studio strategies, and an unpredictable box office, even as Hollywood prepares once again for its most free-spirited awards night. Netflix, fresh off its landmark acquisition of Warner Bros. and HBO, led all distributors with 35 nominations, while its soon-to-be-absorbed counterparts collectively scored 31.On the film side, One Battle After Another surged ahead of the pack with nine nominations, emerging as the year’s most recognised motion picture. The sharp sociopolitical satire earned nods for best motion picture – musical or comedy. Paul Thomas Anderson’s direction and screenplay, Jonny Greenwood’s score, and a powerhouse slate of performances from Leonardo DiCaprio, Chase Infiniti, Benicio Del Toro, Sean Penn, and Teyana Taylor.Sentimental Value and Sinners also showed up strong with eight and seven nominations, respectively, competing across drama, acting, and craft categories.The nominations were announced by Marlon Wayans and Skye P. Marshall. The night will see Nikki Glaser as the host once again.                                                                 View this post on Instagram          A post shared by Nikki Glaser (@nikkiglaser)               FULL NOMINATIONS LIST:BEST TELEVISION SERIES – DRAMAThe Diplomat (Netflix)The Pitt (HBO Max)Pluribus (Apple TV)Severance (Apple TV)Slow Horses (Apple TV)The White Lotus (HBO Max)BEST TELEVISION SERIES – MUSICAL OR COMEDYAbbott Elementary (ABC)The Bear (FX on Hulu)Hacks (HBO Max)Nobody Wants This (Netflix)Only Murders in the Building (Hulu)The Studio (Apple TV)BEST TELEVISION LIMITED SERIES, ANTHOLOGY SERIES OR MOTION PICTURE MADE FOR TELEVISIONAdolescence (Netflix)All Her Fault (Peacock)The Beast in Me (Netflix)Black Mirror (Netflix)Dying for Sex (FX on Hulu)The Girlfriend (Prime Video)BEST PERFORMANCE BY A FEMALE ACTOR – DRAMAKathy Bates (Matlock)Britt Lower (Severance)Helen Mirren (Mobland)Bella Ramsey (The Last of Us)Keri Russell (The Diplomat)Rhea Seehorn (Pluribus)BEST PERFORMANCE BY A MALE ACTOR – DRAMASterling K. Brown (Paradise)Diego Luna (Andor)Gary Oldman (Slow Horses)Mark Ruffalo (Task)Adam Scott (Severance)Noah Wyle (The Pitt)BEST PERFORMANCE BY A FEMALE ACTOR – MUSICAL OR COMEDYKristen Bell (Nobody Wants This)Ayo Edebiri (The Bear)Selena Gomez (Only Murders in the Building)Natasha Lyonne (Poker Face)Jenna Ortega (Wednesday)Jean Smart (Hacks)BEST PERFORMANCE BY A MALE ACTOR – MUSICAL OR COMEDYAdam Brody (Nobody Wants This)Steve Martin (Only Murders in the Building)Glen Powell (Chad Powers)Seth Rogen (The Studio)Martin Short (Only Murders in the Building)Jeremy Allen White (The Bear)BEST PERFORMANCE BY A FEMALE ACTOR – LIMITED SERIES/ANTHOLOGY/TV MOVIEClaire Danes (The Beast in Me)Rashida Jones (Black Mirror)Amanda Seyfried (Long Bright River)Sarah Snook (All Her Fault)Michelle Williams (Dying for Sex)Robin Wright (The Girlfriend)BEST PERFORMANCE BY A MALE ACTOR – LIMITED SERIES/ANTHOLOGY/TV MOVIEJacob Elordi (The Narrow Road to the Deep North)Paul Giamatti (Black Mirror)Stephen Graham (Adolescence)Charlie Hunnam (Monster: The Ed Gein Story)Jude Law (Black Rabbit)Matthew Rhys (The Beast in Me)BEST SUPPORTING FEMALE ACTOR – TELEVISIONCarrie Coon (The White Lotus)Erin Doherty (Adolescence)Hannah Einbinder (Hacks)Catherine O’Hara (The Studio)Parker Posey (The White Lotus)Aimee Lou Wood (The White Lotus)BEST SUPPORTING MALE ACTOR – TELEVISIONOwen Cooper (Adolescence)Billy Crudup (The Morning Show)Walton Goggins (The White Lotus)Jason Isaacs (The White Lotus)Tramell Tillman (Severance)Ashley Walters (Adolescence)BEST PERFORMANCE IN STAND-UP COMEDY ON TELEVISIONBill MaherBrett GoldsteinKevin HartKumail NanjianiRicky GervaisSarah SilvermanBEST PODCASTArmchair Expert with Dax Shepard (Wondery)Call Her Daddy (SiriusXM)Good Hang with Amy Poehler (Spotify)The Mel Robbins Podcast (SiriusXM)SmartLess (SiriusXM)Up First (NPR)MOTION PICTURE NOMINATIONSBEST MOTION PICTURE – DRAMAFrankenstein (Netflix)Hamnet (Focus Features)It Was Just an Accident (Neon)The Secret Agent (Neon)Sentimental Value (Neon)Sinners (Warner Bros. Pictures)BEST MOTION PICTURE – MUSICAL OR COMEDYBlue Moon (Sony Pictures Classics)Bugonia (Focus Features)Marty Supreme (A24)No Other Choice (Neon)Nouvelle Vague (Netflix)One Battle After Another (Warner Bros. Pictures)BEST MOTION PICTURE – ANIMATEDArco (Neon)Demon Slayer: Infinity CastleElioKpop Demon HuntersLittle Amélie or the Character of RainZootopia 2CINEMATIC AND BOX OFFICE ACHIEVEMENTAvatar: Fire and AshF1Kpop Demon HuntersMission: Impossible – The Final ReckoningSinnersWeaponsWicked: For GoodZootopia 2BEST MOTION PICTURE – NON-ENGLISH LANGUAGEIt Was Just an Accident – FranceNo Other Choice – South KoreaThe Secret Agent – BrazilSentimental Value – NorwaySirāt – SpainThe Voice of Hind Rajab – TunisiaBEST ACTRESS – DRAMAJessie Buckley (Hamnet)Jennifer Lawrence (Die My Love)Renate Reinsve (Sentimental Value)Julia Roberts (After the Hunt)Tessa Thompson (Hedda)Eva Victor (Sorry, Baby)BEST ACTOR – DRAMAJoel Edgerton (Train Dreams)Oscar Isaac (Frankenstein)Dwayne Johnson (The Smashing Machine)Michael B. Jordan (Sinners)Wagner Moura (The Secret Agent)Jeremy Allen White (Springsteen)BEST ACTRESS – MUSICAL OR COMEDYRose Byrne (If I Had Legs I’d Kick You)Cynthia Erivo (Wicked: For Good)Kate Hudson (Song SUng Blue)Chase Infiniti (One Battle After Another)Amanda Seyfried (The Testament of Ann Lee)Emma Stone (Bugonia)BEST ACTOR – MUSICAL OR COMEDYTimothée Chalamet (Marty Supreme)George Clooney (Jay Kelly)Leonardo DiCaprio (One Battle After Another)Ethan Hawke (Blue Moon)Lee Byung-hun (No Other Choice)Jesse Plemons (Bugonia)BEST SUPPORTING FEMALE ACTOR – FILMEmily Blunt (The Smashing Machine)Elle Fanning (Sentimental Value)Ariana Grande (Wicked: For Good)Inga Ibsdotter Lilleaas (Sentimental Value)Amy Madigan (Weapons)Teyana Taylor (One Battle After Another)BEST SUPPORTING MALE ACTOR – FILMBenicio del Toro (One Battle After Another)Jacob Elordi (Frankenstein)Paul Mescal (Hamnet)Sean Penn (One Battle After Another)Adam Sandler (Jay Kelly)Stellan Skarsgård (Sentimental Value)BEST DIRECTORPaul Thomas Anderson (One Battle After Another)Ryan Coogler (Sinners)Guillermo del Toro (Frankenstein)Jafar Panahi (It Was Just An Accident)Joachim Trier(Sentimental Value)Chloé Zhao (Hamnet)BEST SCREENPLAYPaul Thomas Anderson (One Battle After Another)Ronald Bronstein, Josh Safdie  (Marty Supreme)Ryan Coogler (Sinners)Jafar Panahi (It Was Just An Accident)Eskil Vogt, Joachim Trier (Sentimental Value)Chloé Zhao, Maggie O’Farrell (Hamnet)BEST ORIGINAL SCOREAlexandre Desplat (Frankenstein)Ludwig Göransson (Sinners)Jonny Greenwood (One Battle After Another)Kangding Ray (Sirāt)Max Richter (Hamnet)Hans Zimmer (F1)BEST ORIGINAL SONGDream as One (Avatar: Fire and Ash)Music and Lyrics by: Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon FranglenGolden (KPOP Demon Hunters) Music by: Joong Gyu Kwak, Yu Han Lee, Hee Dong Nam, Jeong Hoon Seo, Park Hong JunLyrics by: Kim Eun-jae (EJAE), Mark SonnenblickI Lied to You (Sinners)Music and Lyrics by: Raphael Saadiq, Ludwig GöranssonNo Place Like Home (Wicked: For Good)Music and Lyrics by: Stephen SchwartzThe Girl in the Bubble (Wicked: For Good)Music and Lyrics by: Stephen SchwartzTrain Dreams (Train Dreams)Music by: Nick Cave, Bryce DessnerLyrics by: Nick CaveAlso Read: Tom Cruise To Finally Get An Oscar!。首先，我想在今天的头条新闻中向公关团队致意，如媒体发布、首席执行官提问、基准经销商、官方曝光……通过熟练的公关活动，即使今天的顶级社交产品还没有揭开面纱，但它们已经成为媒体节奏氛围中微信的头号敌人。今天头条的社会野心是众所周知的，甚至在一系列已知或不确定的“小贴士”上密探一个宏大的布局：“聊天”和“握手信”直接指向即时消息，“握手朋友”瞄准微信圈的朋友，握手声是社会属性的产物，悟空的问答努力拼出来，微合他广告线等功能挖掘微博。角落…今天头条上的每一个举动似乎都与社会交往有关。在2017年的头条创作者大会上，张一鸣决心开创智能分配与粉丝分配相结合的“智能社会互动”时代。与此相对应的是“百万人和百万粉丝”计划，它允许用户和制作人建立从读者到订阅者、从单向阅读到双向互动的链接。今天的头条不是一条孤单的、白金诺的、一点信息的、网易的等等，也遵循着这一思路，不仅对创作者的流量，而且对创作者的粉丝，即使用户忠诚度很弱。不是今天的头条新闻有意地侵入社会轨道，而是新兴的互联网产品都具有社会化的属性。

B | 至于为什么今天的头条站在微信的对面，“Head Teng War”是一种可能，张一鸣的野心是有可能的，今天的头条新闻的巨大流量和关系链奠定了基础。另一种可能是今天的头条新闻本身的突破。

C | 今天的头条新闻和抖动等产品的用户增长已逐渐达到顶峰，放缓已成为摆在我们面前的两难境地。社交网络可能是当今头条新闻催生用户关系、挖掘流量价值和寻找潜在增长点的必然选择。

D | 作为一个被挑战的人，微信还没有做出积极的回应。

E | 1月9日“微信之夜”期间，张小龙做了四个小时的讲座，偶尔会对其他厂商的产品前景进行打趣，但90%的空间仍然集中在微信本身，例如，当他第一次谈到自己对社交互动的理解时，沟通的本质是什么？微信完全有理由忽视所有的挑战者。官方数据显示，2018年9月，微信月直播用户达到10.82亿，成为中国历史上第一个10亿级DAU产品。在巨型应用时代，微信建设的护城河是不言而喻的。然而，YY李学玲听说今天的头条新闻可能是网上“聊天”后直截了当地说，“我看到太多的成功因素，我想机会真的会来。”所谓的机会很可能是“世界遭受了很长时间”。

F | 微信中几乎每个人都有一大堆的微信群。当他们开始出现时，他们不能容忍微信。这种逻辑听起来很合理，但也站不住脚，早在短信时代，手机就比有效信息有更多的垃圾邮件。罗永豪的子弹短信验证了即时通讯的低门槛。

G | 云服务已经太多了，根本不需要投入太多的研发资源。子弹短信和神奇水晶复制了即时通讯功能，但不能取代微信的关系链。很长一段时间没有足够的用户，结果通常是“每月抛出”。张晓龙在演讲中表示，“停留时间不是应用程序的核心价值”，而微信的动机是“成为最好的工具”。也许张小龙已经说出了自己的话，但在用户眼中没有太大的区别。近两年来，应用的各个方向都将尽可能地占用用户的时间。微信的公众号、小程序、游戏等似乎丰富了微信的工具属性。他们怎么可能不是获取用户时间的手段呢？如果我们不花太多时间在用户身上，微信任赖以生存的效率将不再存在。03子弹文本信使的困境正是当今头条新闻的优势所在。张一鸣即使不自己创业，也会成为一名著名的心理学家，因为他总是掌握用户的需求。今天的头条新闻、战栗、西瓜视频等都特别擅长让用户“上瘾”，即使在一、二线95年之后，他们仍然是五十六线城市的叔叔阿姨。回顾张一鸣的“智能社交网络”，智能分销的使命已经完成，而风扇分销的完成却大大减少。今天的头条新闻将建议关注账户的内容。

H | 微标题几乎是在模仿微博客的播放方式，但用户想与朋友分享一条信息，更多的人会选择与微信或QQ分享。应用程序内的交互尚未形成。

I | 这也可能是为什么今天的头条新闻会出现在诸如“飞行聊天”和“摇晃信件”之类的产品中。

J | 但今天的头条新闻“社交梦想”也需要回答这样一个问题：如何捕捉用户的社交需求？微信的成长是通过捕捉用户的社交需求，然后依靠公众号码、朋友圈、小游戏等，让用户停留更长时间。今天的标题社交网络是相反的，首先使用算法来占用用户时间，现在开始思考如何建立一个社交关系链，两者本质上是不同的。占用用户关系链与占用用户时间的区别在于前者可以通过操作实现后者，而后者具有较高的从前者过渡的门槛。像B站这样的产品，占据了大量的用户时间，最近的热门新闻，以及近百万的日常生活，以及陌生人一样的灵魂社交，其结果是“关系薄弱，社区强大”，今天的头条挑战微信也面临着类似的问题。为了寻找处方，今天的头条新闻可能会集中在新一代人身上。当张小龙刷屏时，今天头条新闻的首席执行官陈林发宣称：“小龙正在考虑如何重塑朋友圈。事实上，我们还有另一个想法。下周我们将讨论这个问题。“这张照片是一张海报，上面写着”这么年轻，这是一个年轻的新时代“。每隔五年左右，互联网往往会认为新一代的年轻人已经崛起，用户行为已经改变，新的机会已经到来。不要怀疑这个观点的正确性。经过70年的煤油灯阅读，80年的小暴君成长，90年的互联网成长，以及00年的手机成长…不同的一代人必然会有不同的观念，并且会影响他们的价值观和社会行为。特别是现在，世代之间的跨度已经缩短到五年，有更多的机会来改变这种模式。新一代年轻人长期以来一直被社会企业家所垂涎。他们不遗余力地鼓吹这一代年轻人有多么与众不同。例如，XSWL、ZQSG和SSFD的俚语使90后的作家很难直接理解其含义，但企业家们声称这是90后的正常社会状况，因此，越来越多的社会平台围绕着年轻人而建立。相遇的场景不是聊天，而是一场游戏，就像一首歌对一首歌；灵魂不再像早期的陌生人一样提倡“灵魂社会化”；曾经流行的狼人杀人只不过是一场游戏场景；此外，声音社会化、视频社会化……好故事是编出来的，美丽而朦胧。

K | 格斗舞、K歌、俚语、弹跳等可能是新一代年轻人的标签，它们不等于年轻人的真实生活。这些剑走在社会产品的边缘，或能吸引年轻用户好奇心一段时间，最终无法逃脱被遗弃的命运。Zepeto不是最新的例子？具有讽刺意味的是，95后和00后离我们不远。他们有着独特的一面，成为差异化品牌营销的焦点。

L | 然而，这些独特的产品是否适合这样一个严重的社会环境，只需要少数年轻人问他们使用微信的频率。05老一套的观点：不可能被另一个威信打败。引用凯文·凯利的名言，或者引用子弹信息、联系人、可信度和其他殉道者来证明这一点并不困难。也许张小龙对“沟通”的理解可以借鉴。交流是把自己的人强加于另一个人的过程”，强调个人在群体中的身份。相比之下，观音梅、灵魂、zepeto等新兴的社交平台，都看到了不同圈子的行为，忽视了个人的需求，使得微信已经成为一种巨大的社交互动类型，其他产品更定位为社区。

M | 可以得出的结论是，陌生人仍然有机会进行社交、圈社交和个性化社交，但要澄清这些机会的价值，是否真的是颠覆现有社会结构的起点？千万不要把车放在马的前面，看小圈子的特点，忽视成熟的用户习惯。要重新关注今天的头条新闻，你需要验证你自己的流量的价值：用户愿意花时间在他们喜欢的内容上吗？他们愿意把他们的关系链留在今天的头条新闻上吗？如果你找不到满足个人需求的G点，那最终是社区，而不是微信的社会挑战者。随着互联网进入红利的末端，流量成本越来越高。如果有机会最大化流量的价值，几乎所有玩家都不会忽视它。正因为如此，社会河流和湖泊注定不会平静。

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Published on:09:54:04